Archive for January 2011

More query letter struggling here. I think I have a mini-synopsis very close to done, but that’s not the whole query letter. There’s another important part to do. At the beginning of the query I need a hook. The hook is a sentence or at least a very short paragraph that gets the agent interested in my book. Here, I need to make my story stand out among a generic epic fantasy tale. What quality would make someone decide this is the book they’d like to buy.

The first step is then trying to figure out what is distinctive about this story. So what is it that makes ‘The Dead Mountain’ something a reader would want to well…. read.

  • The pace. This is a fast-paced story despite its 120,000 words. Things are always happening and there is not much in the way of exposition and lore, ruminating over what has happened, or switching between plot lines. It’s more like Raiders of the Lost Ark than Lord of the Rings.
  • The central relationship. The Dead Mountain has a female hero as the protagonist. Now having a strong female protagonist isn’t really distinctive anymore, but her friendship with a second strong female is the core relationship of the story. The love interest is important too, but not as much as the friend interest. From what I can tell, that is unusual.
  • There are some twists in the plot that I think are pretty interesting as well, but I don’t really want to say what those are. :)

I need to keep thinking about this and try to articulate it in a compelling way. Just one more task in getting this ready to send out.

This is my current read right now. The main reason I’m reading it is because I want to see if I can draw a comparison between the protagonist in this book with the protagonist in my novel. Both are young women who unintentionally find themselves drawn into an adventure and can’t fall back onto their skills with a sword or spell-casting to get them out of trouble.

The protagonist in Green Rider is a student by the name of Karigan and so far she shows determination and a curiosity about the world. My protagonist–currently by the name of Aimee, that’s right, even this far into the game I’m not sure I won’t change it–has some similar qualities along with an impulsive streak that gets her into trouble.

It’s a decent comparison for main characters, but the rest is quite different. My novel is paced much faster so far and it isn’t as long.

As a read, I’m liking it so far.

This is a useful book by Noah Lukeman, a literary agent, has plenty of great information about how to put together a query letter. It covers formatting and the basic structure a letter should follow. I don’t know that this should be the final word on how to create a query letter, but I still think it is a valuable resource well worth a read.

I don’t think Lukeman believes it’s the final word either since he makes reference to another book of his ‘How to Land (and keep) a Literary Agent’ for more detailed information.

Still, you can’t go wrong taking a look at this book and it’s free.

http://www.feedbooks.com/userbook/6676/how-to-write-a-great-query-letter

I’m still working on my query letter template. It’ll have to be customized for particular agents, but the part that talks about the book should stay pretty much the same. The book doesn’t change after all.

Humanity teeters on the brink, hunted by demons and a savage race called the Fari. Mystical barriers protect the few cities left, but a mad priest threatens their survival when he reawakens the ancient power of the Dead Mountain to bring forth an apocalyptic battle.

Aimee Fallon, a sheltered creator of magical gadgets, discovers a mysterious artifact—the key to stopping the Mountain’s magic—and joins an expedition to destroy the power’s threat, but little is as it seems. Along the way, she is betrayed by those she trusts and finds herself abandoned in hostile Fari lands with a forbidden lover who suspects her of murdering his kin. Her only help is an assassin: a woman with a tongue as sharp as her knives who once nearly killed her. The cause seems lost, especially because Aimee doesn’t believe she has a heroic bone in her body. But fate isn’t consulting her.

THE DEAD MOUNTAIN is a fast-paced 120,000-word fantasy adventure mixed with romance and betrayal and a female hero who relies on her wits and determination rather than swords and spells.

This is unlikely the final word on the ‘about the novel’ part of the query letter, but it’s where I’m at right now.

Not too long ago I got a 4th generation iPod Touch. I’m not a big Apple person since I don’t like the closed approach they take to media distribution, but there’s really nothing else like this thing aside from smart phones and I’m not interested with dealing with paying monthly data plan fees. I’m limited to being near a WiFi access point to do all the Internet goodness, but mostly I do that at home anyway. Anyhow, while I don’t like their media ecosystem, I have no problem with their hardware and software which is well designed and innovative.

I’m blogging to talk about using it as an E-reader. For being so small it works reasonably well. I’d never recommend it over an actual E-reader, but it can slip into a pocket and that high resolution display the 4th generation iPod Touch (and iPhone) makes the text look very crisp. You’ll just have to turn the page a lot. I also feel like the e-ink displays are more comfortable on the eyes, but it’s hard to judge when comparing a small screen to a larger reader.

There’re several Apps for reading eBooks. Apple’s own iBook, Stanza, Amazon’s Kindle App, Barnes & Noble’s Nook App, and the Kobo App along with others I’m sure. I’ve tried iBook, and Stanza. I rather like the iBook interface, but Stanza is just as usable but is not quite as nicely presented.

iBook gets you access to the Apple bookstore which I think is the worst place to actually buy a book. As one expects with Apple, the only devices that can read a book bought from Apple are Apple devices. No thanks. There are plenty of free public-domain books available from there however. I have two of my own works (one available in the Apple bookstore, the other I uploaded manually) on it since it’s the default reader when you upload an ePub format book.

Stanza has a whole list of places to get books from. Project Gutenberg and Feedbooks are the only ones I’ve used to download free ePubs from. It’s easy to search and download whatever you want.

The others I haven’t tried yet since I haven’t actually bought any eBooks yet.  I might give the Nook application a looksee since I know a free book I could get from there :) *cough* Discipline *cough*.

I’d say this is a great device for reading on when a regular e-reader is too bulky to take along, but I don’t think I’d want to read “War & Peace” on it.

In the Dark BackwardsGet your e-reader handy; I have a recommendation for a freely available e-book that I enjoyed.

This is “In the Dark Backwards” written by a friend of mine. I had the pleasure to be a beta-reader and I enjoyed the book. Unfortunately, I haven’t had the time to read the final version, but it should be even better.

Here is the link where it’s available in a multitude of electronic formats, or you can download the PDF and print it off.

http://www.feedbooks.com/userbook/18025/in-the-dark-backwards

I have to warn you that the beginning can be a bit confusing to some, but it’s worth hanging in there. The characters are intriguing and it has a pretty unique story.

It’s a fantasy book suitable for a young adult audience, but perfectly entertaining for adults as well.

Lorn has been wandering around the world for a very long time, but he doesn’t know why. As the story opens, he meets two people in a dice-house, and decides on a whim to follow them. This choice will lead him to discovering who he is, and setting right an ancient error.

Check it out.

After having a few days to recover, I can give my final thoughts on my Twilight adventure.

Audience is everything with this book. I think the reason opinions are so sharply divided is because this book is a one-trick pony. If the main character, Bella, makes you feel like ‘this is/was me’, then I can see how this book can be appealing. A hopelessly awkward girl who you can totally relate to gets the boy who is not only the most beautiful guy in the school, he’s literally the best boy ever. Mix in a little mystery and danger for spice and I can see that would make an entertaining fantasy. Even if you’re rolling your eyes from time to time, a little silliness might not take away the fun. Well, you have to like all the soppy ‘we’re obsessed with each other conversations too.’

So okay, I can actually see the appeal. The author has done one thing really well, she made a character that many in her target audience can strongly relate to. I think the common refrain ‘how did this book get published’ falls flat since this is a powerful element and the publisher clearly made the right call–it sold like hotcakes.

If the trick doesn’t work for you, this book is awful. The romance between the leads simply is, it doesn’t develop. There is little to no plot through most of the book, simply a string of drawn-out, repetitive conversions between the leads about their mutual obsession.

No serious character conflict exists and the only one hinted at between Billy Black and Bella never goes anywhere in this book, he warns her about Edward but doesn’t take any action, she ignores his warnings and promptly forgets about them.

Even when there is briefly some plot going on with James hunting Bella toward the end of the book, the rescue happens off-screen, so to speak, and it doesn’t change the characters in any meaningful way.

All in all, I found the book very dull and difficult to listen to. However, it does illustrate the power in creating a character than is compelling to your audience. It may be the worst book I think I’ve ever made it all the way through, but to the right audience it’s compelling. Of course, really good authors have a way of making their books compelling even to the wrong audience; I don’t want to give too much credit.

This remains one aspect of this book I do find unsettling. I worry that it romanticizes a relationship that is very unequal and behavior that is not okay.

There is this creepy aspect to the relationship where Edward is unquestionably in charge and acts as an adult to child. Bella is rather helpless most of the time without Edward around and he has been around for a hundred years while Bella is 17. The heroine being portrayed as child-like isn’t exclusive to Twilight and Bella actually is a child, but this kind of uneven relationship still makes me uncomfortable. For goodness sakes, there’s a scene where Edward has to buckle her into a car seat.

Worse though, is Edward’s behavior and the way Bella reacts to it. He’s a stalker, there’s nothing else to call it when he follows her and breaks into her house to watch her sleep. Bella just finds it romantic, yuck. Not to mention this is a wasted opportunity for conflict. Also, he constantly tells her how he must control himself around her so he won’t hurt her. Yes, he’s a vampire, it makes some sense, but Bella simply eats it up, ugh. Add this to the controlling behavior I mentioned previously and at times I found this relationship rather sickening.

So there it is, the good, the bad, and the ugly. I think I can see the reason it’s so popular and I think I can see the reason it’s so despised. One thing for sure, I won’t be going on to the next book. The author may do one thing really well, but it’s definitely not for me.

Query letter time is coming. From what I can tell, a query letter has three parts: the introduction, the pitch, and credentials.

The introduction is part that might need adjusting for the agent being queried. It’s the place where you tell the agent why you are querying him or her. This is the place I’ll need to show that I’m not blasting out queries at anyone I can find, but I have a reason to think he or she might be interested.

The pitch is pretty simple to explain. This is the part where you try to sell the story. It needs to be informative and explain what the book is, but it also has to market.

The last part, credentials, I don’t plan on including. Simply put, I don’t have any so the rest of the query letter has to stand on its own. Doing this without any credentials to my name is pretty intimidating since I know whoever will be reading this will be looking for any reason they can to reject it.

Honestly though, I think the biggest problem I’ll have is that I’ve got an epic fantasy tale here and I don’t believe there is a lot of interest in that subgenre right now. That means just mentioning that fact will likely get me rejected right off the bat. However, there’s no point pretending it’s anything else. I can’t get anywhere without trying though.

I finished!

The epilogue went on a lot longer than I thought it would. There’s not much to it. Bella wants Edward to turn her into a vampire, and Edward doesn’t want her to stop being human when she’s so young. Jacob shows up to deliver a message from his dad, Billy Black. It’s just the same warning to stay away from the vampires and to say “we’ll be watching”. The very ending line is sort of suggestive in that Edward says something about “forever” and presses his lips to her neck. I’m pretty sure he’s not going to turn her, but I like that it’s ambiguous.

Anyhow, I’ll post some closing comments before long. Overall, I have to say the word I’d use to describe this book is “dull”. Obviously, it’s not dull for everybody, but it was for me.

Almost done. I got all the way to the beginning of the epilogue due to snowy roads and a slow journey home.

No Alice and Jasper intercepting her, she goes to the dance studio to meet James. James is all polite and calm. He explains that he tricked her by using a video tape so her mother is away in Florida. Bella is all relieved and seems pretty accepting that she’ll be killed in a minute. Scared, but accepting.

Ah, James doesn’t intend to kill her right off. He intends to draw it out an video tape it so Edward will be able to watch. Apparently he wants Edward to come after him as part of the game. The prospect of a painful death finally urges Bella to action, she bolts and James starts to beat her up, breaking her leg in the process. However, she gets cut and the sight of blood is too much for James, he gets ready for the kill.

As expected, the Cullens do show up to save her, but the reader doesn’t get to see any of it because Bella is drifting in and out of consciousness, thinking she’s dead. Once James is defeated in the rescue we don’t get to read about, they discover that he bit Bella’s hand, another thing we didn’t get to read about. Anyhow James’ venom is in her blood. Edward sucks it out even though it’s hard for him to stop since she’s his perfect flavor of blood or whatnot. Logically, it should be Doctor Cullen that does it since he resists blood all the time being, you know, a doctor. But whatever, obviously it has to be Edward for the drama.

Anyhow the rest of the story is soppy conversation between Edward and Bella. Really drawn out, very slow conversation. There are a few other points, Bella is going back to Forks because of Edward, the reason given for her injuries are falling down the stairs (the classic domestic violence cover, sigh), and her heart stops when Edward kisses her. This is another moment where you think it’s metaphor but it’s not. She has actual cardiac arrest, the heart monitor flatlines for a moment. Oh please.

As the epilogue starts, Bella is made up and dressed all fancy-like by Alice, and Edward is in a Tux. Oh, let me guess, he’s taking her to the prom? Incidentally, I love that they put Bella who is supposed to be the world’s clumsiest person in a stiletto heel (description in the boot) while her other foot is in a walking cast. Do they want to watch her fall down some more?